Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Return of Christ to Jerusalem | Ecstasy of St Francis | Mary Magdalene and Cardinal Pontano | The Hermit Zosimus Giving a Cloak to Magdalene | Frescoes in the second bay of the nave |
Related Artists:
Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.
Johann Heinrich Roos
German Baroque Era Painter, 1631-1685 was a German Baroque era painter and etcher. His works are presented in various art museums worldwide.
HOLBEIN, Hans the Elder
(b. 1460/65, Augsburg, d. 1524, Isenheim was a German painter. He was born in Augsburg, Bavaria and died in Isenheim, Alsace. He and his brother Sigismund Holbein painted religious works in the late Gothic style. Hans the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style. He was also a woodcut artist and an illustrator of books, and was a church window designer.